Cita:
What the spectators are about to expect, is the compressed birth of a piece of art.
Slowly the egg leaves the natal canal of the artist and smashes on the canvas, red colour flows out. The next egg contains another colour and so bit by bit, accompanied only by loud "Plops", an abstract art work originates -- archaically, uncontrollably and intuitively. At the end of this almost meditative art birth performance the stained canvas is folded up, smoothed and unfolded to a symmetrically reflected picture, astonishingly coloured and full of strong because universal symbolism.
The "PlopEgg Painting" itself releases a loose chain of thoughts -- about the creation fear, the symbolic strength of the casual and the creative power of the femininity. A comparison to wild associations arises and by the intensity of the seen and experienced, one becomes clear: the art needs like so often the corporeity to be able to manifest itself.
Milo Moire's performances start with daydreaming, with (every)daily, personal physical experiences which condense by wild associations to an internal whole piece of art about to mature and enter the world. The corporeity becomes the need for her artistic expression to make the happened - also for the spectator - experienceable. Milo Moire describes her art, as an „art led by intuition. To create art, I use THE original source of the femininity -- my vagina".
tl;dr: Se le ocurrió que ponerse a cagar huevos con tinta por la vagina sería una buena manera de hacer sus dibujos más vendibles.
